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Introduction |
4 |
| Different forms of access and their consequences for storage: Some reflections Peter Sigmond, Rijksmuseum: Amsterdam, Netherlands |
5 |
| Nothing in store: Dream or nightmare? The Wallance Collection experience David Edge BA Dip Cons: The Wallance Collection, London, UK |
9 |
| Accessible museums and prohibited weapons Mark Murray-Flutter. The Royal Armouries, Leeds, UK |
21 |
| Catalogue - Electronic/CD/Internet Thom Richardson: The Royal Armouries, Leeds, UK |
24 |
| Public access to reserve collections. A case study: The Museums of London's Recource Centre Robert Howell: The Museum of London, London, UK |
29 |
| The new stores of the Rijksmuseum: A case study Steve Cok and Eveline Sint Nicolaas: Rijksmuseum, Amsterdam, Netherlands |
31 |
| The storage of arms and armour: Environmental considerations Alison Draper: The Royal Arpouries, Leeds, UK |
37 |
| The arms and armour stores at the Royal Armouries, Leeds Robert D Smith: The Royal Armouries, Leeds, UK |
43 |
| Walking the tightrope: Creating storage accomodation in old museums Piet De gryse: The Royal Army Museum, Brussels, Belgium |
48 |
| How long is a partisan? Eva-Sofi Ernstell: Livrustkammaren, Stockholm, Sweden |
53 |
| Storage of edged weapons at the Royal Armouries, Leeds: A curator's perspective Phillip Langkester: The Royal Armouries, Leeds, UK |
57 |
| Storage on a shoestring budget: Object-housing strategies for the mid-sized arms museums Walter J Karcheski, Jr: Higgins Armory Museum, Worcester, Massachusetts, USA |
69 |
| An overview of the display and storage of arms and armot at the Metropolitan Museum of Art Donals LaRocca: The Metropolian Musuem of Art, New York, USA |
74 |
| To drive or not to drive Alfred Staarman: The Army Museum, Delft, Netherlands |
81 |
| Storage and accessibility of modern firearms Dorsal devices: Polish hussars' wings, Japanese sashimono and Aztec tlahuitztli |
85 |
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